DeForest Kelley Filmography:         Home/Main Index         Full Chronology        
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1940s


1945(?)     Navy Training Film unknown title (on education) - **Peter
04/18/47     Movie: Fear in the Night - ***Vince Grayson
08/29/47     Movie: Variety Girl - **Bob Kirby
1947     Religious Film: Beyond Our Own - ***Bob Rogers
07/08/48 (?)     Movie: Canon City - *Smalley
03/15/49     Movie: Duke of Chicago - *Ace Martin
10/06/49     The Lone Ranger: "Legion of Old-Timers" - **Bob Kittridge
12/27/49     Movie: Malaya - xLt. Glenson
1949         Religious Film: Ambassador for Christ - **Aram

Roles: ***Major       **Significant       *Minor       xCut

early publicity photo

1940s               Untitled Navy Training Film

Role: ** Peter
Released: 1945(?)
Notes: about 22m; b/w
Commercial Recording: G.I. Scare Films v.1, Something Weird Video

as Peter, Navy training film
Cast:
George Reeves (Frank)
several other familiar faces
tape is cut off; no credits

Plot Summary:
Follows a group of sailors near the end of the war, as they contemplate their futures. Joe wants to work on engines, but can't get a rating. Family man Harry wonders how he can make a difference to improve the world for his kids. Peter (Kelley) has just met the girl he wants to marry, but has to have Frank write his letters for him. Eddie and Shorty want to start a trucking business but the banker points out that they don't know enough. Luke wanted to go to college, but refuses to go back and finish high school with a bunch of kids. They tease Frank, the only reader in the bunch, until they find that because he completed his diploma during his tour, he's going off to Fleet School which will give him a chance at a better job. One by one, they all go topside to see the Educational Services Officer to sign up for classes.

Notes:
Kelley gets about 3 scenes as love-struck, insecure Peter. He explains to Frank that he can write, he just can't write about the things his "classy" girl writes about. Later, on leave, he meets her at a malt shop and admits that those weren't his own letters. Back on the boat, tempers flare, and when one of the guys sneers at Peter, "learn to write a letter," he jumps up ready to fight, then goes off to see about classes. The whole little flick is kinda cute.
For Trekkers:
One of Kelley's convention anecdotes was from this time; he and George Reeves (the original TV Superman) were driving back from their filming stint to their base in Colorado, when their car died in a blizzard on Rabbit Ears Pass.
Sources: viewing

1940s               FEAR IN THE NIGHT

Role: *** Vince Grayson
Released: 4/18/47
Director: Maxwell Shane
Producer: William H. Pine & William C. Thomas
Writer: Maxwell Shane
From story "Nightmare" by William Irish (Cornell Woolrich).
Notes: Paramount; 72m; b/w
Commercial Recording: Sinister Cinema

as Vince Grayson, Fear in the Night
(A 1956 remake with Edward G. Robinson was titled Nightmare and set in New Orleans with a musician for protagonist.)
Cast:
Paul Kelly (Cliff Herlihy)
Kay Scott (Betty Winters)
Ann Doran (Lil Herlihy)
Jeff York (Torrence)
Robert Emmett Keane (Lewis Belknap)
Janet Warren (Mrs. Belknap)
Charles Victor (Capt. Warner)
John Harmon (Mr. Bilyou)

Plot Summary:
From the Internet Movie Database:
"Bank teller Vince Grayson wakes from a nightmare in which he and an unknown woman murdered a man in a strange, mirrored room. Only a dream...but Vince finds that he has physical objects and bruises from his 'dream.' His cop brother-in-law dismisses his story...until the family, on a picnic, takes shelter from a thunderstorm in a deserted mansion containing that mirrored room. Is doom closing in on Vince?"
(A detailed plot summary is given on the IMDB listing for the film. The NYT review was very negative - calling Kelley's performance 'dopey.' A more positive review can be read at www.rottentomatoes.com)

Notes:
A must-see for Kelley fans, his first real movie role and he plays the main protagonist. It's a pretty interesting early chiller, with its exploration of hypnotism as a weapon. Kelley stated that the opening special effects sequence was exciting and state-of-the-art for the time, and that the film turned out to be a sleeper and did well.
     In a 1968 TV Guide article, Kelley reported that at this point in his career, confident that he was headed for stardom, he allowed a friend-of-a-friend palmist to read his hand. The verdict was "There’s nothing much going to happen to you until you’re past forty.” Kelley responded, "Are you kidding? I’m going to retire when I’m forty!” In retrospect, of course, it seemed prophetic.

Sources: viewing; Internet Movie Database; NYT Review, 4/19/47; TV Guide, 8/24/68; Guyer 1991

1940s               VARIETY GIRL

Role: ** Bob Kirby (agent)
Released: 8/29/47
Director: George Marshall
Producer: Daniel Dare
Writer: Monte Brice et al.
Notes: Paramount; 93m; b/w
Commercial Recording:
Universal Comedy Classics: Bob Hope Collection

as Bob Kirby, Variety Girl
Cast:
Mary Hatcher (Catherine Brown)
Olga San Juan (Amber LaVonne)
Frank Ferguson (R.J. O'Connell)
Glen Tryon (Bill Farris)
Plus an endless stream of Paramount star cameos: Bob Hope, Bing Crosby, Gary Cooper, Alan Ladd, Barbara Stanwyck, Ray Milland, Pearl Bailey, Spike Jones...

Plot Summary:
This is a hodge-podge of vignettes and cameos featuring many stars in the Paramount stable, all in tribute to the charitable work of the Variety Clubs. The framing story is that of foundling Catherine Brown, who had inspired a group of actors calling themselves the "Variety Club" to take on charitable causes for children. Bill Farris, a Club member in New York, sends the now grown-up Catherine out to Hollywood studio executive R.J. O'Connel for a screen test. Talent Scout Bob Kirby (Kelley) is assigned to shepherd Catherine through her test, but mistaken identity with her ambitious and untalented roommate Amber results in a series of slapstick mishaps. Romance blossoms while various stars briefly strut their stuff, leading up to a finale variety show in which Catherine, providing the singing voice for tone-deaf Amber, is ultimately discovered and signed.

Notes:
A nice little romp, and good fun to see all those Paramount stars. Kelley has a substantial part here and does a nice job as the light romantic lead - not a role he would often play. His best bits in this one are rather like the future McCoy: curmudgeonly little witticisms ("Gerrold must be a cocker spaniel" - referring to Amber's telephone speech about her lover's limpid eyes); gentlemanly apology while planning devious vengeance, and gruff bluster ("will you stop and listen to me, or do I hafta use judo?!").
     Asked at a 1986 convention whether there were any roles he regretted, this is the one Kelley named, saying he hadn't wanted to do it at the time because he wanted a good dramatic role to follow up on his success with Fear in the Night. He said he hated the film for years, but that it had been fun to do, and he was now able to enjoy it again.

Sources: viewing; Internet Movie Database; NYT Review 10/16/47; Guyer 1993; video box notes

1940s               BEYOND OUR OWN

Role: *** Bob Rogers
Released: 1947
Director: Sammy Lee
Producer: Jack Chertok
Screen Play: Doane Hoag
Notes: Protestant Film Commission; 41m; b/w
Commercial Recording: None known

as Bob Kirby, Variety Girl
Cast:
Charles Russel (Peter Rogers)
DeForest Kelley (Bob Rogers)
Trudy Marshall (Ann Rogers)
Douglass Dumbrille (Osburne)
Pierre Watkin (Blake)
Richard Loo (Wong)

Plot Summary:
Peter and Ann Rogers wait outside a hospital room; the nurse comes out to acknowledge that the patient is dead, and Peter faints. At Peter's bedside, Doctor Blake reminisces about his acquaintance with flamboyant, ambitious Peter Rogers and his quieter brother Bob (Kelley), giving us flashbacks of their days as college football stars while Peter pursues a law degree and Bob becomes a doctor, wishing to help people. Peter, courting Ann, stops his car when he sees Bob walking along and sneers at his brother that "yeah, they like to be alone, he and his thoughts." Time goes on, Peter is established in Osburne's legal office, marries Ann, and begins working night and day climbing the law office ladder. Meanwhile, we see Bob on his first ambulance case; when the driver states that "all the good ones are scared.. at first," Bob replies, "Then I sure must be a whiz." As Peter chugs on up the legal ladder, Bob joins Blake's clinic and struggles with his sense that they're treating the wrong people. He is almost McCoyesque in handing a neurotic woman patient her pills along with a lecture on how there's nothing wrong with her. At church one Sunday, Bob is very taken with the sermon about calling on a power "beyond our own"; Peter spends the sermon jotting notes for work. Peter and Ann start their family with baby Shirley; Bob visits to declare his intention to go to China as a medical missionary. Peter protests that this was not what their mother had in mind in leaving them the money for their education, but Bob is firm. Ann writes to Bob in China, through the birth of their next child, Ronny, through Peter's 3 years of service in the war, and Ann's concerns over Peter's night-and-day work when he returns - until Ronny is killed by a car at the age of 6. (Which is where we came in.)

Peter cannot recover from Ronny's death, and Blake recommends that he go visit Bob in China. He does, and finds Bob beloved of his hospital patients and happy in his work, despite the dangers of a war coming ever closer. He also meets Bob's colleague, Jim Wong, once a wealthy banker who lost everything - including family - in the war but has found God and peace, and extolls Bob's work. Peter obsesses about Bob having given up a great career, Jim convinces him of what Bob has found. The war approaches; as Bob, Peter and Jim load the patients onto a bus to evacuate to caves, Jim goes back into the hospital for Bob's medical kit just as the hospital is hit by mortar. Bob goes off for water, and Jim dies, telling Peter he is not afraid of "going home." This is Peter's conversion experience, and he seeks the altar amid the rubble for prayer. When the hospital is rebuilt, the village elders present Peter with a family keepsake - a cross - in gratitude for his risking his life for the children. Peter expresses a desire to stay and work with Bob; Bob delivers a sermon to him, pointing out that God's work is to be done everywhere, and Peter's work for God is back home.

Notes:
Fun to see Kelley so early in his career, though the role is rather bland for him - the earnest young medical missionary finding and sharing his focus in life. Best bits are the few times he has something lively to do - arguing with a patient, celebrating his decision to go to China, and evacuating the hospital.

I don't know where I found the date on this; it's not on my copy of the film itself.

Sources: viewing

 

1940s CANON CITY

Role: * Smalley (escaped convict)
Released: ? (NYT Rev. 7/8/48)
Director: Crane Wilbur
Producer: Brian Foy
Writer: Crane Wilbur
Notes: Eagle-Lion; 82m; b/w
Commercial Recording: None known

as Smally, Canon City
Cast:
Scott Bradey (James Sherbondy)
Jeff Corey (Karl Schwarzmuller)
Whit Bissell (Richard Heilman)
Stanley Clements (New)
Mabel Paige (Mrs. Oliver)
Ralph Byrd (Officer Gray)
Charles Russell (Tolley)
Roy Best

Plot Summary:
Recounts an actual prison break at Canon (pronounced "canyon") City, Colorado, in documentary style, filmed on location and with Warden Roy Best playing himself.
     The film opens with a documentary look at life in the state prison, then moves into the story. Twelve men led by Schwarzmuller manage to make or obtain metal files and home-made guns, and escape after beating up a guard. Their timing is poor, as they find themselves running off into a blizzard. They split up, and the movie traces the recapture or killing of the fugitives. Most time is spent on convict Sherbondy, in the role of the not-so-bad bad guy. He is initially reluctant to escape, prevents his partners from molesting their hostages, and ends up relinquishing his bid for freedom to save a sick child. The most dramatic is Johnson, trapped on a bridge at the top of the gorge where he is shot and plummets to the river far below.

Notes:
This one's only for the die-hard obsessed fan - or die-hard movie buff.
Though Kelley's character (Smalley) is talked about considerably as a real mean felon, in the final cut - or the one I saw - he is only visible in about 2 scenes and has one line on-camera: "we can't wait for the key!" (in the group trying to unlock the gate).
For Trekkers:
Jeff Corey (Schwarzmuller) played Plasus in "The Cloud Minders."
Whit Bissel played Station Commander Lurry in "The Trouble with Tribbles."

Sources: viewing; Maltin 1999; NYT Review, 7/8/48; Internet Movie Database

1940s               DUKE OF CHICAGO

Role: * Ace Martin
Released: 3/15/49
Director: George Blair
Producer: Stephen Auer
Writer: Albert DeMond
From novel The Duke Comes Back by Lucian Cary
Notes: Republic; 59m; b/w
Commercial Recording: None known

Cast:
George Beban Jr. (Speedy)
Tom Brown (Jimmy Brody)
Joseph Crehan (Tex Harman)
Richard Gallagher (Cous Weller)
Lois Hall (Helen Cunningham)
Paul Harvey (Caester Cunningham)
Audry Lang (Jane Cunningham)

Plot Summary:
(Not listed in Maltin or any internet movie sites I checked. Guyer (1991) gives the following synopsis, though she was not able to view it either.)
     "Brody is a retired middleweight boxer who is now in the publishing business. When his company falls into financial ruin, he is forced to come out of retirement and fight to save it. A match is set up by some shady gamblers who are counting on Brody losing, but he wins in spite of a broken hand. The gamblers decide to kill him, but he is saved by the police."

Sources: Internet Movie Database; Guyer 1991

1940s         THE LONE RANGER:
              “Legion of Old-Timers”

Episode: 1.4           Airdate: 10/6/49
Role: ** Bob Kittridge (victimized ranch owner)
Commercial Recording:
UAV, "Best of the Lone Ranger" collection; also The Lone Ranger, volume 1 (3 episodes)
Available in DVD also.

Series Notes: ABC; 30m; b/w; 1949-65; 221 episodes
Adventures of ex-Texas Ranger John Reid, who had been ambushed by the Hole in the Wall Gang and saved by childhood friend Tonto.
Regulars: Clayton Moore (the Lone Ranger); Jay Silverheels (Tonto)
Guest Cast:
Norman Willis (Red Devers)
Emmett Lynn (Banty Bishop)
Lane Bradford (Jake)
Sandy Sanders (Sandy)

Episode Summary:
Bob Kittridge (Kelley) has just returned from the East to take over the family's Circle K Ranch after his father's death. Conniving Red Devers convinces Bob that his present foreman, old Banty Bishop, is guilty of theft. Tenderfoot Bob fires Banty and hires Devers. He soon regrets this, as Devers' modus operandi is to take control of a ranch by beating the owner into submission, which he promptly does. As soon as he has replaced all the old hands with his own men, Devers puts the Circle K up for sale. The Lone Ranger and Tonto come across first a sale notice and then Banty, and recognize Devers and his scam. The Lone Ranger goes in disguise to negotiate for the ranch and Devers brings a clearly roughed-up Kittridge out to agree to the sale. The Lone Ranger has Banty round up all the Circle K old-timers to come help, then he and Tonto ride in to complete the "sale." While Tonto holds two henchmen at bay outside, the Lone Ranger beats Devers up inside; Devers' men come running but so do the old guys, hootin' & hollerin', and a fine brawl follows. Bob gets his ranch back, as well as the last line -- a wondering, "The Lone Ranger?" as he waves good-bye. Hi-ho Silver.
Sources: viewing; Lentz (1997)

1940s               MALAYA
(aka Alien Orders; East of the Rising Sun)

Role: (X) Lt. Glenson
Released: 12/27/49
Director: Richard Thorpe
Producer: Edwin H. Knopf
Writer: Frank Fenton
From story by Manchester Boddy
Notes: MGM; 98m; b/w
Commercial Recording: MGM Home Entertainment; in print

Cast:
Spencer Tracy, James Stewart, Lionel Barrymore, George Carleton, Valentina Cortese, Sydney Greenstreet, John Hodiak, Richard Loo, Ian MacDonald, Lester Matthews, Charles Meredith, Matt Moore, Anna Q. Nilsson, Gilbert Roland, Leonard Strong, James Todd, Roland Winters

Plot Summary: (from Movies Unlimited website):
"Former reporter James Stewart teams with paroled crook Spencer Tracy to tackle a dangerous mission during World War II: smuggle 150,000 tons of rubber past Japanese enemy lines and onto American ships. Inspired by true events, this rousing wartime adventure co-stars Sydney Greenstreet, Valentina Cortese."

Notes:
Kelley is never seen, though he is in the credits. He supposedly had a rather nice little part as a wounded lieutenant, but it ended up on the cutting room floor.

Sources: viewing; Internet Movie Database; Movies Unlimited website;Guyer 1991

1940s               AMBASSADOR FOR CHRIST

Role: ** Aram
Released: ?
Director: John T. Coyle
Producer: Rev. James K. Friedrich
Notes: Cathedral Films; Life of St. Paul Series #5; 30m; b/w
Commercial Recording: none known

as Aram, Ambassador for Christ
Cast:
no credits given

Plot Summary:
Saul has fled to his home town of Tarsus for safety. After 10 years, Barnabas invites him along on a mission to Antioch. They stop by a slave market, where the young Roman nobleman Aram (Kelley) has just purchased a cute Christian girl, Melita. She flees to Saul, who pays Aram for her and sets her free. Aram objects, but prevents his friends from pursuing the matter at swordpoint. Aram listens to Saul's sermons and eventually comes to talk with Saul, who, interestingly, preaches women's rights and urges him to marry Melita if he loves her. Meanwhile, news arrives that the disciples in Jerusalem are starving and cannot receive emergency rations from the temple as others do. Saul, Barnabas and Aram raise money and set out with a donkey train of supplies to relieve them. Aram begs for the dangerous job of riding on ahead alone, to tell the brethren that help is on the way. The grain arrives, and when the famine eases, John Mark of the Jerusalem group accompanies Saul and Barnabas in the mission to Antioch. Back home, Saul finds Aram and Melita quarrelling; she refuses to marry him because it would make him an object of ridicule. Saul assures her that she should marry Aram. As Saul continues to preach and the Antioch community grows, dissent arises over the number of gentiles. Saul insists that the Word is for all; he, Barnabas and John Mark head off into the sunset to bring the gospel to the pagans elsewhere.

Notes:
Not a lot of scope in this one, with its uniformly reverent tones. Aram is an earnest and warm-hearted young fellow. This may be Kelley's first use of the coin trick, rolling his gold piece down his knuckles as he ponders, "Christian."

Sources: viewing; Library of Congress catalog